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The harm in reality TV is felt in more than just those involved in the shows. When you have something as popular as Survivor, other networks are going to want to copy that success. Just look at how many new reality series have premiered since Survivor. The number of series has grown exponentially and there doesn’t seem to be any end in sight. Each one takes the same basic format, makes a few modifications, repackages it, and airs it. I think it goes without saying that television networks, like any good business, are in it mainly for the money. Reality TV is a great way to get ratings (the fact that they’re so cheap to produce doesn’t hurt either), so now everyone from the major networks to the History Channel is making their own reality series, while other more original shows are downplayed.
“Let the spectators become an entertainment to themselves”: a part of TV has always done this. It has meant, at different times, local programming, Huntley and Brinkley, the national news at 6 and local news at 11, talk shows and talent shows, This is Your Life and the regional tours of Wheel of Fortune. Accept, though, that television’s most important function might always have been to let citizens see each other and be seen in their representatives—in our only truly national universal medium—and you’re left to ask what will accomplish it best today. Reality television may furnish its dark apotheosis—a form for an era in which local TV has been consolidated out of existence, regional differences are said to be diminishing (or anyway are less frequently represented), and news, increasingly at the service of sales departments, has forfeited its authority to represent the polity.
Why Are Reality Tv Shows so Popular
A blogger by the name of Bea Blessing elucidated that, “The Bad Girls’ Club is definitely an American reality television line that parodies womanhood and follows the lives regarding seven women with several personalities, behavior and subconscious problems, as they live collectively in a house for three months.” This show undermines the values of females on many levels, and it is indeed a show that thrives on negativity....
And on Blind Date and Xtreme Dating and Fifth Wheel, with wary daters eyeing each other over pasta dinners, leglessly drunk in a hundred indistinguishable neon dives and, afterwards, on the best dates, mumbling vulgar blandishments in hot tubs, you see that romance is not angelic recognition nor simple animal lust but a negotiation—the same as in the Cops arrest. The blind date and the traffic stop become on late-night TV the two paradigmatic experiences of American encounters between strangers. Homogenous America is instantly disproved by bizarre America. It is reassuring to watch this openness and fumbling. Finally you see without intermediary dramatization the landscape of tanning salons and restaurants and aikido studios in every corner of the country, the still-distinct accents but universalized, television-influenced behaviors, the dilemma of what to say and which personality to project, as if the social relation were being rebuilt, in a cutaway scale model of our society—a great televised Ark of a changing civilization—two by two.
Why Reality TV Is Like A Drug With Bad Side Effects.
This is one way to come to terms with your fellow citizens. Much reality TV, by contrast, communicates a relative openness of judgment, though judgment is its one constant—and does so also by its wider identity of situation between the viewer and those before the cameras. (Nearly everybody has dated, and, from rich to poor, nearly everybody fears the police when driving and will call on them when threatened.) Reality TV’s judgment falls on “another oneself,” however much one retains the right to disown and ridicule this nitwitted fellow-citizen. Nowadays, at every level of our society, there is a hunger for judgment. Often this becomes summary judgment—not so much the wish to know the truth, but the brutal decisionism that would rather be wrong than stay in suspension. This is the will not to deliberate but to sentence. In the political realm, it has influenced the shape of the current disaster. Its soft manifestations own the therapeutic talk shows, in the sniffling and nose wiping of a Dr. Phil, where the expert is never at a loss. He will not say: “No, your situation is too messed up for me to advise you; I have a similar problem; think for yourself.” Whereas the cheapest and rawest reality TV offers you a chance to judge people like you, people who do lots of the same things you do. It is cheap, it is amoral, it has no veneer of virtue, it is widely censured and a guilty pleasure, and it can be more educational and truthful and American than most anything else, very suitable for our great republic.
and power-hunger are the sins built into the microcosm, so the fixed norm is the flaw introduced into shows of pure judgment. It produces the third ideal type of reality TV: the show of the industry standard.
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reality TV may not be such a bad thing after all.
From its beginnings in the early 1950s, TV has been blamed for encouraging overindividualism, for hastening consumer suckerdom, for spurring passivity and couch-potatoness, and for making up the sensational bread-and-circuses of mass-culture tyranny. That pretty much covers it. And yet when opponents tried to divide the wretched things flickering inside the idiot-box into categories, they made excuses for quite unnecessary forms that they felt they recognized (highbrow TV dramas) while deriding unique and far more important items that didn’t suit their vision of dramatic art (game shows, local news, now reality shows).
Why television is bad for society - Essay Example
A blogger by the name of Bea Blessing states that, “The Bad Girls’ Club is definitely an American reality television line that parodies womanhood and follows the lives regarding seven ladies with several personalities, behavior and subconscious problems, as they live collectively in a house while in three months.” This show undermines females on many different levels, and it is indeed a show that thrives on negativity....
Why Reality TV is Good for Us - Today's News: Our …
reality television is that it is the one place that, first, shows our fellow citizens to us and, then, shows that they have been changed by television. This reality is the unacknowledged truth that drama cannot, and will not, show you. A problem of dramatic television, separate from what the corrupt characters say and do, is that it shows people who live as if they were not being shaped by television. On this point it profoundly fails to capture our reality. (The novel, in contrast, was always obsessed with the way consciousness was shaped and ruined by reading novels.) And this is consistent with the way in which television, more than other media, has a willingness to do the work of shaping life, and subservience to advertising and industry, even when its creators do not understand what they’re up to. Drama says: this is harmless, fictional. In fact it pushes certain ways of life. But wherever industrial norms repenetrate the televised rendition of reality, they can directly push certain ways of life, no longer even needing to use the mediation of “harmless” fiction and drama.
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